Policymakers on Capitol Hill got a dire warning that climate change threatens food production, safety and affordability.
That stark message came in a briefing by the American Meteorological Society to congressional staff members, climate scientists and federal regulators that linked climate change to a host of troubling scenarios involving worldwide food availability.
Wednesday's briefing drew on a peer-reviewed study by the U.S. Department of Agriculture released during the Paris Climate Conference last month. That report, "Climate Change, Global Food Security and the U.S. Food System," concluded that the effects of climate change on food will strike urban and rural populations in wealthy and poor nations alike.
While the threat depends on many factors, its impact will increase by mid-century, according to the report. Under the least-optimistic scenario––based on high carbon emissions and low international cooperation to combat climate change––agricultural yields could fall by as much as 15 percent, and food prices could rise more than 30 percent by 2050.
"Climate change puts the world's food security at risk through both direct and indirect factors," said Margaret Walsh, an ecologist in USDA's Climate Change Program Office and one of the authors the report.
Widespread drought caused by climate change could decrease crop production, Walsh told InsideClimate News. At the same time, sea level rise could impact cargo ships' access to docks for importing and exporting food.
"There are many, complex factors that have to be considered when assessing the threat to food security," Walsh said.
David H. Koch, a philanthropist who has given millions of dollars to the American Museum of Natural History in New York but whose businesses in energy and other industries have drawn criticism from climate scientists and environmental groups, has left the museum’s board after serving on it for 23 years.
A museum spokeswoman, Anne Canty, said Mr. Koch’s last day on the board of trustees was Dec. 9 and that his departure was not related to the criticism, but simply because his term was ending.
Mr. Koch, who served on the board since 1992, has donated some $23 million to the museum and his name adorns its dinosaur wing.
More than nine months ago, dozens of members of the scientific community signed a letter that called for museums of science and natural history to “cut all ties” with fossil fuel companies and philanthropists like Mr. Koch, who also sits on the advisory board of the Smithsonian National Museum of Natural History. A separate petition by environmental activists urged the museums to remove him from their respective boards.
The letter expressed deep concern about “the links between museums of science and natural history with those who profit from fossil fuels or fund lobby groups that misrepresent climate science.” The letter was the project of the Natural History Museum, a mobile museum “that highlights the socio-political forces that shape nature,” according to its co-founder and director, Beka Economopoulos.
But Cristyne Nicholas, a spokeswoman in New York for Mr. Koch, said that the letter and petition had nothing to do with Mr. Koch’s departure. “He was not swayed by that at all and it absolutely did not factor into his decision,” Ms. Nicholas said.
She noted that Mr. Koch is on about 20 different boards around the country and that he is cutting that number back while he focuses more time on cancer research. Last year, Mr. Koch, 75, who was once diagnosed with prostate cancer, donated $100 million to New York-Presbyterian Hospital and $150 million to Memorial Sloan Kettering Cancer Center to help researchers develop a cure for prostate cancer.
Ms. Nicholas said that Mr. Koch had missed board meetings at the natural history museum and other institutions because of scheduling conflicts. “He remains supportive of the museum,” she said. “It is just that he does not have time to attend the board meetings.”
Ms. Canty said that Mr. Koch had served as an at-large trustee. These types of board members are up for re-election every year, she said.
"A new, data-filled study by the Harvard scholars Theda Skocpol and Alexander Hertel-Fernandez reports that the Kochs have established centralized command of a “nationally-federated, full-service, ideologically focused” machine that “operates on the scale of a national U.S. political party.” The Koch network, they conclude, acts like a “force field,” pulling Republican candidates and office-holders further to the right. Last week, the Times reported that funds from the Koch network are fuelling both ongoing rebellions against government control of Western land and the legal challenge to labor unions that is before the Supreme Court."
Excerpts from an important article in the Atlantic. Read the whole thing here.
For the last several months, social scientists have been debating the striking findings of a study by the economists Susan Case and Angus Deaton. Between 1998 and 2013, Case and Deaton argue, white Americans across multiple age groups experienced large spikes in suicide and fatalities related to alcohol and drug abuse—spikes that were so large that, for whites aged 45 to 54, they overwhelmed the dependable modern trend of steadily improving life expectancy. While critics have challenged the magnitude and timing of the rise in middle-age deaths (particularly for men), they and the study’s authors alike seem to agree on some basic points: Problems of mental health and addiction have taken a terrible toll on whites in America—though seemingly not in other wealthy nations—and the least educated among them have fared the worst.
Meanwhile, other recent research has piled on the bad news for those without college degrees. A Pew study released last month found that the size of the middle class—defined by a consistent income range across generations—has shrunk over the last several decades. In part, this is because high-paying jobs for the less educated are vanishing. The study builds on other recent research that finds that almost all the good jobs created since the recession have gone to college graduates.
As organized labor in this country has withered, an extreme individualism has stepped in as the alternative—a go-it-alone perspective narrowly focused on getting an education and becoming successful on one’s own merit. This works well for some, but for others—especially the two-thirds of Americans over the age of 25 who don’t have a bachelor’s degree—it often means getting mired in an economy of contract work, low pay, and few, if any, benefits. These prospects suggest that this is an age of diminished expectations for the working class.
Yet there is clearly more to the despair of the working class than empty wallets and purses. Patches of the social fabric that once supported them, in good times and bad, have frayed. When asked in national surveys about the people with whom they discussed “important matters” in the past six months, those with just a high-school education or less are likelier to say no one (this percentage has risen over the years for college graduates, too). This trend is troubling, given that social isolation is linked to depression and, in turn, suicide and substance abuse.
The religiously unaffiliated are not necessarily secular in their outlook. Many of them are spiritually inclined but skeptical of organized religion—especially its intrusion into politics. However, in the absence of any other source of social support and collective meaning (say, unions), there’s less in the way of psychological protection from the slings and arrows of American society.
This sort of isolation was common among the people I talked to. Many said their faith was helping them get through their ongoing troubles, yet they rarely or never went to church. Some felt ashamed to be around people because they were out of work. For others, their religious belief was somewhat a source of self-help, rather than a source of community. For example, one of the workers I interviewed said that being out of work for so long had filled him with a constant rage. To calm his mind, every night he would pick up his Bible and read a dozen verses. He had given up on the church and what he described as its superficial ways. “I want to go to hear the Word—I don’t want to go to see what you’re wearing,” says the man, 53 and from Flint, Michigan. The other way he copes is going outside for a smoke.
For this man and many like him, there is no one to talk to, no one to rely on. “Nowadays, you got people you really can’t trust, man,” he says. “You can’t call everybody your friend.” As the ties that bind them to others have unraveled, the working class has become an ever lonelier crowd.
The larger context of this isolation and alienation is America’s culture of individualism. It, too, can worsen the despair. Taken to an extreme, self-reliance becomes a cudgel: Those who falter and fail have only themselves to blame. They should have gotten more education. They should have been more prepared. On this score, too, the U.S. deviates from other wealthy nations. America’s frontier spirit of rugged individualism is strong, and it manifests itself differently by race and education level, too. White Americans, for instance, are more likely to see success as the result of individual effort than African Americans are (though not Hispanics). The less educated, particularly less-educated whites, also share this view to a disproportionate degree.
In Stayin’ Alive, his powerful history of the “last days” of the working class, the historian Jefferson Cowie describes how the proud blue-collar identity of previous generations disintegrated during the ’70s. “Liberty has largely been reduced to an ideology that promises economic and cultural refuge from the long arm of the state,” he writes, “while seemingly lost to history is the logic that culminated under the New Deal: that genuine freedom could only happen within a context of economic security.” As working-class solidarity receded, an identity built on racial tribalism often swept in.
from Democracy Now:
The World Trade Organization recently issued a final ruling saying, unless we ixnay that law, we were going to face billions in trade sanctions. And the history of this is, the U.S. meatpacking industry, plus their Canadian and Mexican counterparts, didn’t want this law. And they tried in federal court. They tried to fight us in Congress. It only took 50 years, we finally won. The law becomes the law of the land. And the polling shows 90 percent of Americans love that law. Well, when they couldn’t win in the democratic process of our courts, of our Congress, these interests went to a trade tribunal. Mexico and Canada challenged the law at the WTO in one of the trade tribunals, saying this violates the U.S. obligations at the WTO. And the tribunal, one tribunal after another after an appellate one, they said yes. The U.S. government even changed the law to address the technical errors that the WTO tribunal pointed out. And again, we lost the appeal. So, basically, Canada and Mexico, at the end, were in a position, because this is how it works, to say to the U.S., "Either kill the law or pay $2 billion in trade sanctions every year"—every year—for the right of knowing where our meat comes from. And the Congress said, "Oh, oh, my god, trade war. Let’s avoid the sanctions." And they gutted the law. So, if you go to the grocery store now, you’re going to notice that’s gone.
That is a real, live example of our day-to-day lives—not about jobs, but our day-to-day food, the environment—being undermined by these agreements. And if TPP is allowed to go through, imagine that on steroids. We have the ability to stop TPP by getting our representatives now, in this election year coming up, when they’re most sensitive, to commit to voting no. But it’s on us, because in our country is where it can be stopped. And we can do this. It’s already—there are a lot of members of Congress who don’t like the agreement. But using this TransCanada case, using the meat example, those are real ways we can help educate our neighbors, our friends, about what the risk is. Everyone knows TPP means more job offshoring and lower wages, but it’s more than that. That’s terrible, and it’s all these other things, too. And if we educate people and aim them at our members of the House of Representatives to get commitments to vote no, we can avoid doubling down on this disaster.
“With this red line laid down across Crestwood’s driveway, we declare that its plans to store fracked gases in abandoned salt caverns on Seneca Lake constitutes an emergency,” said Colleen Boland, who recently returned from the Paris climate talks. “We declare that these plans threaten our water, our children, and our climate.”
The red line motif emerged at the end of the Paris climate talks last Saturday, as 15,000 people marched in the streets of Paris. It signifies a commitment to holding society to the lines that cannot be crossed in order to avoid catastrophic climate change. Eighty percent of fossil fuels must be left in the ground in order to curb climate change.
The red line motif also was prominent last weekend as 300 residents in Porter Ranch, CA demanded closure of the Aliso Canyon Storage Facility. The Southern California Gas Co. field has spewed natural gas into the atmosphere since Oct. 23. It currently contributes a full one-quarter of California’s daily methane emissions. There have been hundreds of complaints from the surrounding community of headaches, nosebleeds, stomachaches, rashes, and respiratory illness from exposure to the gas and its additives. 1,000 families have evacuated. The company estimates it will take 3 months to plug the leak.
“Aliso Canyon is a clear warning to us of what can go wrong with underground gas storage,” said Tony Del Plato, 67, of Covert, “and how willing the companies are to ignore the plight of the communities around them, and the impact on the climate.”
Schuyler County deputies arrested the nine shortly before 10 a.m. as they blocked a Crestwood tanker truck from leaving the facility.
The nine protesters were transported to the Schuyler County Sheriff’s department, charged with disorderly conduct, and released. The total number of arrests in the civil disobedience campaign over the past year now stands at 441.
Comrades standing up against Elsevier and Taylor and Francis and insisting on the knowledge commons. Here is their letter. Please read and share.
In solidarity with Library Genesis and Sci-Hub
In Antoine de Saint Exupéry's tale the Little Prince meets a businessman who accumulates stars with the sole purpose of being able to buy more stars. The Little Prince is perplexed. He owns only a flower, which he waters every day. Three volcanoes, which he cleans every week. "It is of some use to my volcanoes, and it is of some use to my flower, that I own them," he says, "but you are of no use to the stars that you own".
There are many businessmen who own knowledge today. Consider Elsevier, the largest scholarly publisher, whose 37% profit margin1 stands in sharp contrast to the rising fees, expanding student loan debt and poverty-level wages for adjunct faculty. Elsevier owns some of the largest databases of academic material, which are licensed at prices so scandalously high that even Harvard, the richest university of the global north, has complained that it cannot afford them any longer. Robert Darnton, the past director of Harvard Library, says "We faculty do the research, write the papers, referee papers by other researchers, serve on editorial boards, all of it for free … and then we buy back the results of our labour at outrageous prices."2 For all the work supported by public money benefiting scholarly publishers, particularly the peer review that grounds their legitimacy, journal articles are priced such that they prohibit access to science to many academics - and all non-academics - across the world, and render it a token of privilege.3
Elsevier has recently filed a copyright infringement suit in New York against Science Hub and Library Genesis claiming millions of dollars in damages.4 This has come as a big blow, not just to the administrators of the websites but also to thousands of researchers around the world for whom these sites are the only viable source of academic materials. The social media, mailing lists and IRC channels have been filled with their distress messages, desperately seeking articles and publications.
Even as the New York District Court was delivering its injunction, news came of the entire editorial board of highly-esteemed journal Lingua handing in their collective resignation, citing as their reason the refusal by Elsevier to go open access and give up on the high fees it charges to authors and their academic institutions. As we write these lines, a petition is doing the rounds demanding that Taylor & Francis doesn't shut down Ashgate5, a formerly independent humanities publisher that it acquired earlier in 2015. It is threatened to go the way of other small publishers that are being rolled over by the growing monopoly and concentration in the publishing market. These are just some of the signs that the system is broken. It devalues us, authors, editors and readers alike. It parasites on our labor, it thwarts our service to the public, it denies us access6.
We have the means and methods to make knowledge accessible to everyone, with no economic barrier to access and at a much lower cost to society. But closed access’s monopoly over academic publishing, its spectacular profits and its central role in the allocation of academic prestige trump the public interest. Commercial publishers effectively impede open access, criminalize us, prosecute our heroes and heroines, and destroy our libraries, again and again. Before Science Hub and Library Genesis there was Library.nu or Gigapedia; before Gigapedia there was textz.org; before textz.org there was little; and before there was little there was nothing. That's what they want: to reduce most of us back to nothing. And they have the full support of the courts and law to do exactly that.7
In Elsevier's case against Sci-Hub and Library Genesis, the judge said: "simply making copyrighted content available for free via a foreign website, disserves the public interest"8. Alexandra Elbakyan's original plea put the stakes much higher: "If Elsevier manages to shut down our projects or force them into the darknet, that will demonstrate an important idea: that the public does not have the right to knowledge."
We demonstrate daily, and on a massive scale, that the system is broken. We share our writing secretly behind the backs of our publishers, circumvent paywalls to access articles and publications, digitize and upload books to libraries. This is the other side of 37% profit margins: our knowledge commons grows in the fault lines of a broken system. We are all custodians of knowledge, custodians of the same infrastructures that we depend on for producing knowledge, custodians of our fertile but fragile commons. To be a custodian is, de facto, to download, to share, to read, to write, to review, to edit, to digitize, to archive, to maintain libraries, to make them accessible. It is to be of use to, not to make property of, our knowledge commons.
More than seven years ago Aaron Swartz, who spared no risk in standing up for what we here urge you to stand up for too, wrote: "We need to take information, wherever it is stored, make our copies and share them with the world. We need to take stuff that's out of copyright and add it to the archive. We need to buy secret databases and put them on the Web. We need to download scientific journals and upload them to file sharing networks. We need to fight for Guerilla Open Access. With enough of us, around the world, we'll not just send a strong message opposing the privatization of knowledge — we'll make it a thing of the past. Will you join us?"9
We find ourselves at a decisive moment. This is the time to recognize that the very existence of our massive knowledge commons is an act of collective civil disobedience. It is the time to emerge from hiding and put our names behind this act of resistance. You may feel isolated, but there are many of us. The anger, desperation and fear of losing our library infrastructures, voiced across the internet, tell us that. This is the time for us custodians, being dogs, humans or cyborgs, with our names, nicknames and pseudonyms, to raise our voices.
Share this letter - read it in public - leave it in the printer. Share your writing - digitize a book - upload your files. Don't let our knowledge be crushed. Care for the libraries - care for the metadata - care for the backup. Water the flowers - clean the volcanoes.
Dušan Barok, Josephine Berry, Bodó Balázs, Sean Dockray, Kenneth Goldsmith, Anthony Iles, Lawrence Liang, Sebastian Lütgert, Pauline van Mourik Broekman, Marcell Mars, spideralex, Tomislav Medak, Dubravka Sekulić, Femke Snelting...
The endlessly visible glut of information online has not disciplined us. As online subjects we have not been afraid of being tracked, even as we become more aware of who and how our metadata is being collected, and this lack of fear has not produced disciplined subjects. Artist Hito Steyerl articulates with striking insight how relentless the drive towards online presence has become. As we increasingly produce endless amounts of visual and verbal statements to validate our digital existence, we are
… realized online as some sort of meta noise in which everyone is monologuing incessantly, and no one is listening. Aesthetically, one might describe this condition as opacity in broad daylight; you could see anything, but what exactly and why is quite unclear. There are a lot of brightly lit glossy surfaces, yet they don’t reveal anything but themselves as surface43
It seems certain that even if it were possible for images to truly reveal something about their referents, the aspiration toward transparency is a trap. The Internet has wrought a kind of “opacity in broad daylight” as Steyerl claims, where anything we want to see is visible but meaningless. How then does such a critique of the assumed transparency of the public sphere press itself into artworks, and photographic practices specifically? The concern is not for artworks that attempt to visualize the invisible or hidden but that must address the problem that visibility itself is an ideology, one powerfully tied to the contemporary global order. A critique of transparency then seems possible only when artworks are considered beyond the formal, aesthetic frames of the image.
In the years following 9/11 questions around the limitations of visual representation have been widely addressed, and the role and power of images interrogated.44 However, the parameters of this inquiry seem to now be shifting. As photographs are increasingly freed from their role as representational objects and are now digital processes, images have become an important component of global networks of communication and dissemination that are operative beyond vision. Image production now happens automatically, or sometimes algorithmically. Images that we might think we have ownership over are no longer truly ours; we have relinquished our rights to images for the ease of transmission and communication offered by image-based social networks. Within a hyper-visual environment, the ways in which images are used and engaged has shifted so definitively away from the tangible, material of a printed photograph that we can no longer think of the photograph as a representation, as an index of an event or place.
Whereas Rancière’s longstanding examination of the intersection of aesthetics and politics places him within a discourse that firmly roots questions of representation within questions of political violence,47 for Galloway the impossibility of representation is precisely that neither political nor aesthetic representation is ever possible. He identifies that “one of the key consequences of the control society is that we have moved from a condition in which singular machines produce proliferations of images, into a condition in which multitudes of machines produce singular images.”48 One camera does not produce many images, but many cameras (or computers, or smartphones) produce one image. This is a situation where photography no longer records an event but is instead a process or accumulation of many microevents; it does not track a unified point in time, it opens onto many. Photography is not the actual or metaphorical click of the shutter but is instead the instantaneous uploading, tagging, geotagging, searching, facial recognizing, networking, sharing, and filtering of images. This networked image landscape is one where innumerable machines produce not individual, varied, differentiated images but singular images, images that conform to societal codes and conventions.49 For Galloway this proves that “adequate visualizations of [the] control society have not happened. Representation has not happened. At least not yet.”50
Representation has a constitutive relationship with its mode of production, and such production is no longer based on a creator–apparatus–viewer relationship. It is increasingly evident that to make something or someone visible, to produce or make public from multiple sources a singular image is not to produce or generate power. In contrast, Galloway argues, “the point of unrepresentability is the point of power. And the point of power today is not in the image. The point of power today resides in networks, computers, algorithms, information, and data.”51
This is an unusual position since historically vision has been tied to representation through the image. But Galloway’s is an argument against the possibilities of visualization full stop. Where Butler and Azoulay might argue that the signs in the image cannot be considered in isolation from each other, that is they cannot be considered free-floating or unmoored from their referents and that they must actually mean something even if they do not appear to. For Galloway the signs, symbols and imagery that we use to attempt to make data visual, to attempt to make visual sense of so much unending, infinite data, can only appear to forge a relationship with any determined meanings. For him there seems to be little or no power in images, despite their massive proliferation. The generation of power resides in the notion that the image is a screen, which is a front for real power that exists in networks, algorithms, data sets, and relationships of information. These systems of power are yet to be made visual or visible in any meaningful way, and the attempt to make visual systems of power is indeed a pressing one. The question remains not only whether representation is possible, but also whether it can locate and visualize power at all, particularly when political and visual representation is being continually denied across many discourses.
Returning to photographic art practices, it is clear that for Simon’s and Paglen’s projects to be made comprehensible in scope, there must be a way for the images to carry signification. As such, both Paglen and Simon use extended, detailed captioning to direct viewers outside the framed image by pushing against the very limitations imposed by the frame. To see one of their images without an understanding of the context of the project would be to reduce the image to aesthetics only, since the fuller and external spaces of the image would not be legible. Is one possibility for overcoming the failures of photographic representation to navigate between images and texts? Might the use of language also help to articulate questions around data, where language is once again achieving a place of primacy as users learn increasingly various coding languages in order to access different layers of digital communication software? For both Simon and Paglen, without the grounding of extended or specific captions the viewer would be speculating at the research, labour, or people that preceded the image. With the addition of the caption, the limits of each project become less abstract and more concrete. While resisting didactic meaning, both artists are navigate a line between revelation and concealment, between opacity and transparency and it is through the caption that this negotiated border becomes most discernable. Indeed, the troubling of the relationship between image and text is one that both Paglen and Simon hinge their practices on, since without the texts or captions, it would be impossible to assign meaning to these largely abstract images.
Photographic theorist and historian Geoffrey Batchen claims that the “interactive combination of text and photograph is typical of Taryn Simon’s work; it, rather than photography, is her true medium.”52
The tiny texts crafted to accompany the images are intentionally placed to be read in conjunction with the image, so that the two have equal weighting. This strategy “shifts the burden of assigning that meaning from the artist to a viewer, making us all complicit in the act of signification, and indeed in the histories we are asked to witness.”53 This is no small burden for the viewer, and this is precisely the type of responsibility in viewing that Azoulay’s civil contract of photography calls upon us to acknowledge. If the viewer is, as Batchen suggests, obliged to become complicit in the act of signification, then the question of what is knowable and seeable is an urgent one. The image reveals its contingencies not because the viewer can read anything into it, but it is a contingency based in part upon an individual being able to navigate between visual and linguistic texts. What results is “a photography that proffers transparency [and the] utopian promise of liberal democracy, but then renders that transparency opaque, even reflective.”54 Paglen and Simon may both “proffer transparency” in their working methodologies, but their highly aesthetic images hypnotize us with a luminous glow, obscuring more than they are able to reveal. It is precisely this dialectic between transparency and opacity that is operative in the negotiation of image and text. The caption must bring with it the political motivation of the image.
How then can we visualize subjects as wide ranging as border policing, surveillance systems, drone attacks, economic inequality, environmental catastrophe, late capitalism, global finance? This is the overarching question with which Paglen and Simon concern themselves, in projects that interrogate the limits of photography and representation during a contemporary moment where the definition of photography, as a medium, a practice, and a process, is in continual flux. While the images of such subjects come to be largely symbolic, when we attend to the images in context, through language or texts that point to outside sources, we begin to address the contingency of the image without being didactic. The questions addressed throughout this paper may appear specific to photography as an aesthetic and artistic practice, but ultimately they have much broader implications in an era that privileges communicational transparency to the point where certain freedoms and values are being severely limited. As visual forms of communication become the most prevalent forms of social media–and the trend towards imagesharing sites like Instagram and Tumblr offer evidence of this shift–the currency of this form of exchange is the ability to store and manipulate data in ever expanding, seamless, and seemingly invisible sites. How information is presented, represented, and understood in a networked era are questions only beginning to be fully addressed.
Brown’s tight focus on neoliberalism, while enabling her to place the repercussions of the hegemony of neoliberal reason in stark relief, is also constraining. It leads her to underplay neoliberalism’s inconsistencies, inefficiencies, contradictions, and violence. She asserts, for example, that individuals and industries that inhibit the project of macroeconomic growth and credit enhancement may be cast off or reconfigured. Yet unreconfigured individuals and industries persist in the wake of repeated bank failures and bailouts, the off-shoring of private wealth, and the broader failure of austerity policies actually to generate growth. Wealth and power determine who is cast off, not inhibition of macroeconomic growth. Brown says that “the properly interpellated neoliberal citizen makes no claims for protection against capitalism’s suddenly burst bubbles, job-shedding recessions, credit crunches, and housing market collapses” (218). Yet this is exactly what the corporate and finance sector does with impunity when it turns to the state to enforce foreclosures, impose capital controls, collect on debts, and, again, bail it out when it makes bad loans. Finally, Brown’s account of the dissemination of neoliberal governance via the spread of “bench-marking” and “best practices” too easily repeats the neoliberal rhetoric of soft-power, consensus, teamwork, and market metrics as replacing “law, policing, punishment, and top-down directives” (141). She fails to note the militarization of the police, intensification of surveillance, harsh sentencing, and practices of raced harassment and murder that accompany the emergence of the strong neoliberal state. In fact, she goes further, claiming that “states operating on a business model will eschew excessive uses of violence or extraconstitutional conduct” (150).
The contradictions and violence inseparable from neoliberalism suggest that if it is well-described as a rationality, then this is a rationality infused by jouissance. Neoliberalism’s mobilization of competition and inequality encourages people to get off on hierarchy, to enjoy privilege and punishment, to seek opportunities to assert superiority. Germany’s stance vis-à-vis Greece in the 2015 confrontation over the Greek debt exemplifies this point. More pointedly, neoliberalism’s inconsistencies, inefficiencies, contradictions, and violence undermine its image as a rationality, pointing instead in the direction of an ideological project for the restoration of capitalist class power. When banks have to appeal to the state for bailouts, they reveal the weakness of markets, the failure of competition, and their own reliance on the state. They thereby signal the active role of the state in maintaining hierarchy at the cost of growth and efficiency, exposing the limits of economization in the political value of class rule. Neoliberalism’s active use of the state to take from the many and give to the few in ways that visibly diminish the lives and opportunities of the many opens it to the challenge: why not use the state otherwise?
In Undoing the Demos, the great confrontation between hostile camps is not between proletariat and bourgeoisie but between democracy and neoliberalism. Neoliberalism has won. For Brown, the evisceration of liberal democracy is the extinguishing of “any variety of democracy” (79). She presumes here a political linearity: from bourgeois democracy to more substantive and radical democratic instantiations. Liberal democracy is a “platform” from which more ambitious democratic projects are launched (18). Once it’s gone, the very conditions of possibility for democratic aspiration—for collective steering of a common world in the common good—are vanquished. Brown thus views neoliberalism as consecrating, naturalizing, and deepening a “civilizational despair” (221). The people have lost.
A more dialectical reading of neoliberalism points in a different direction. Rather than a political rationality, neoliberalism is an ideology (in Žižek’s broad, materialist sense of materialized practices of belief). As an ideology, neoliberalism holds together contradictory practices and ideals. It is not a seamless whole but a complex entanglement ruptured by enjoyment as well as its own contradictions and failures. Democracy provides the fantasy structure that kept liberalism and tries to keep neoliberalism in place. Democracy’s economization in communicative capitalism, however, has rendered it unfit for this task, incapable of naming an ideal. The brutal reality of neoliberalism as a punishing, immiserating project of dispossession is increasingly undeniable. The contemporary reemergence of communism, anarchism, and populism is symptomatic of the growing understanding that, even as democracy has lost the capacity to register a gap in the present, the unrealized emancipatory aspirations of the people continue to exert a pressure. Liberal democracy is less a platform than a barrier, the disintegration of which opens the gap of new possibility.