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April 07, 2006

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Keith

Jodi - you might be interested in the films of Matthew Barney here. The last installment of his *Cremaster Cycle* has an amputee as a main character, and *Drawing Restraint 9*, which just entered commercial release in NY, has Barney and his wife Bjork severing each other's legs at some point during the film:
http://www.artforum.com/diary/id=10715

hugh


Possibly related, in a converse way, is the way that people adjust to prosthetics. I have heard -- somewhere reputable, I think, but I have no idea where -- that part of successful adaptation to a prosthesis is managing to assimilate it as really part of one's body. One technique that I have heard of is imagining that one has a ghost limb retracted in one's stump, which one can extend into the prosthesis once the prosthesis is in place. People have rituals to do this (rapping on the stump, for example).

The connection I'm trying to draw is that the people with this disorder sound like unsuccessful prosthesis users.

Evan

Also along the lines of mysterious illnesses that sweep into the culture at a particular time, take the example of the hikikomori in Japan - young people (men mainly I think) who live as virtual shut-ins, perhaps with occasional forays to the supermarket at night for frozen food sustenance. Perhaps we could connect this to the amputee's as a "cutting-off" of the person's mobile trajectory. Is this part of post-human (d)evolution in which we are morphing into limbless shut-ins, fit only for sitting in front of computers and plugging into virtuality?

See Maggie Jones article in NY Times 1/15/06, "Shutting Themselves In."

Evan

David

What if the opposite tendencies have something do with the irreconcilable conflict between the desire for imaginary wholeness and its transgression by way of bodily mutilation? I think one can read all this in terms of the fine line that a neurotic threads between alienation and separation, the desire of coming to fully conform with one's ideal ego and a desire to destroy the ideal so that the space of desire & lack remain open. Freud's "Rat Man" spends his life conforming to what he interprets are his father's desires (embodied in the metonymic chain spun from the 'Ratte' signifier) and yet keeps having these dreams of cutting his little finger so it hangs only by a thread. The closer he comes to unconsciously satisfying the father's wishes, the bigger sacrifice of the proverbial pound of flesh is exacted from him. Talk about the superego paradox.

Bill Wilson

The brain has a lot on its mind. In a neurological study I read decades ago, a patient was described who had earlier suffered amputation of his left leg from the knee down. He felt phantom pain in the phantom section of his left leg, in effect receiving messages from part of his body that wasn't there. Later he suffered a cerebral infarction, the kind of stroke called "left-neglect," because the victim of that specific stroke denies that he or she has a left side. After the left-neglect stroke, this patient with a leg amputated from the knee down denied that he had a left side, but said that he had his left leg from the knee down, because he felt pain from it. I was lightly acquainted with Lincoln Swados, an amputee, whom I suspected of having amputated his leg and arm, though I didn't ask. My guess was that he was punishing himself because his sexuality pained his father. In one conversation, he said that he was sexually pleased only if he felt that he was desired in spite of his condition. Your post suggests that he might have been desired because of his condition. Following the body as a construction of images, he also, if he had cut off his own right leg, had become unable to put his best foot forward. The body is a poem, but often a bad poem, with parts of the body like literary images that can convey ideas if they are read correcty. To render oneself unable to dance is a philosophic condition: "I won't dance, Don't ask me." Perhaps self-amputees should grant a hearing to the challenge of another song: "Let's face the music, and dance."

ROZ

in regard to "bill wilson's" posting of april 8, 2006.
specifically in regard to lincoln swados, who i knew from late grade school.
most unfortunately, it turns out lincoln was a schizoprehenic and was quite disabled. during one of his "episodes," he threw himself under a subway, which resulted in his leg and arm being severed. i don't think he was looking to be amputated, but rather to kill himself.

Daniel Kojta

Interesting article. I am having an interesting time developing prosthetic aesthetics, both physical and psych. The work is part of a very interesting project you will all enjoy. Ubiquitous computing etc.
See: www.anat.org.au/reskin
Enjoy. Dan.

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